Reset.

Normality seems restored today. In fact, I seem to have come out the other side.

 

The temperature in Delhi today was 4 degrees celsius minimum. I'm not sure what it was at 8:00 in the morning today. I decided to have a cold water bath. Was re-educated on the principles of heat transfer when steam started coming off me. Realised that abovesaid steam was actually vital internal body heat disappearing into the air. Continued anyway.

 

Now, a few hours later, I feel as if I've been reset. Most educational.

 

Worth trying once, but not more than.

Bzzzzzzzzz

That strange feeling that starts in your eyes and moves through your head when you haven't slept in 24 hours. I assume a caffeine high feels like this. I've never had one, though I drink lots of coffee. Symptoms:

1. bzzzzzzzzzzzzzzzzzzzzzzzzzzzz

2. everything is surreal and unconnected to reality, like images viewed through a thick glass pane.

3. people are talking to you, and you can hear what they saying, but relating to them is like pushing through gelatine. Your reactions are on instinct, from a subconscious rulebook you've picked up over years of human survival and etiquette. Nothing really matters.

4. And finally, an underlying layer of bzzzzzzzzzzzzzzzzzzzzzzzzzzzz.

 

And then, somewhere in the middle of the day, you crash. Total systems shutdown.

 

The only thing I can compare it to is Fever Bright.

Stock Spec Fi and Farthana

Okay, I'm back. Found something far freakier from the place I just blogged to earlier. A "speculative" fiction site called strange horizons, which I haven't really checked out yet. What's really interesting is their list of stock plotlines which they will NOT accept from writers:

The original link to the site is here. However, I'm reproducing the same thing here cause I'm too lazy to paraphrase. However, as the legal maxim goes, res ipsa loquitor.

 

 

Strange Horizons

______________

Fiction Submission Guidelines: Stories We See Too Often

_____________________________________________

 

This is an attempt at classifying the kinds of non-horror plots and themes that we receive too frequently. We have a separate page for horror stories.

Main plot types are numbered; subspecies and variants receive letters.

Of course it's not impossible to write a good story with one of these plots or themes; it's not that these are inherently bad plots, merely that we see too many stories that use them.

1. Person is (metaphorically) at point A, wants to be at point B. Looks at point B, says "I want to be at point B." Walks to point B, encountering no meaningful obstacles or difficulties. The end. (A.k.a. the linear plot.)
2. Creative person is having trouble creating.
   1. Writer has writer's block.
   2. Painter can't seem to paint anything good.
   3. Sculptor can't seem to sculpt anything good.
   4. Creative person's work is reviled by critics who don't understand how brilliant it is.
   5. Creative person meets a muse (either one of the nine classical Muses or a more individual muse) and interacts with them, usually by keeping them captive.
3. Visitor to alien planet ignores information about local rules, inadvertantly violates them, is punished.
   1. New diplomat arrives on alien planet, ignores anthropologist's attempts to explain local rules, is punished.
4. Weird things happen, but it turns out they're not real.
   1. In the end, it turns out it was all a dream.
   2. In the end, it turns out it was all in virtual reality.
   3. In the end, it turns out the protagonist is insane.
   4. In the end, it turns out the protagonist is writing a novel and the events we've seen are part of the novel.
5. An A.I. gets loose on the Net despite the computer it was on not being connected to the Net.
   1. An A.I. gets loose on the Net but the author doesn't have a clear concept of what it means for software to be "loose on the Net." (Hint: the Net is currently a collection of individual computers, not some kind of big ubercomputer; software doesn't currently run in the wires between computers.)
6. The future is soulless.
   1. In the future, all learning is electronic, until kid is exposed to ancient wisdom in the form of a book.
   2. In the future, everything is electronic, until kid is exposed to ancient wisdom in the form of a wise old person who's lived a non-electronic life.
7. Protagonist is a bad person. (We don't object to this in a story; we merely object to it being the main point of the plot.)
   1. Bad person is told they'll get the reward that they deserve, which ends up being something bad.
   2. Terrorists (especially Osama bin Laden) discover that horrible things happen to them in the afterlife (or otherwise get their comeuppance).
   3. Protagonist is portrayed as really awful, but that portrayal is merely a setup for the ending, in which they see the error of their ways and are redeemed.
8. A place is described, with no plot or characters.
9. A surprise twist ending occurs. (Note that we do like endings that were unexpected as long as they derive naturally from character action.)
   1. The characters are described as if they are humans, but in the end it turns out they're not humans.
   2. Creatures are described as "vermin" or "pests" or "monsters," but in the end it turns out they're humans.
   3. The author conceals some essential piece of information from the reader that would be obvious if the reader were present at the scene. (This can be done well, but rarely is.)
   4. Person is floating in a formless void; in the end, they're born.
   5. Person uses time travel to achieve some particular result, but in the end something unexpected happens that thwarts their plan.
   6. The main point of the story is for the author to metaphorically tell the reader, "Ha, ha, I tricked you! You thought one thing was going on, but it was really something else! You sure are dumb!"
10. Someone calls technical support; wacky hijinx ensue.
    1. Someone calls technical support for a magical item.
    2. Someone calls technical support for a piece of advanced technology.
    3. The title of the story is 1-800-SOMETHING-CUTE.
11. Scientist uses himself or herself as test subject.
12. Evil unethical doctor performs medical experiments on unsuspecting patient.
13. Office life turns out to be soul-deadening, literally or metaphorically.
14. In the future, criminals are punished much more harshly than they are today.
    1. In the future, the punishment always fits the crime.
    2. In the future, the American constitutional amendment prohibiting cruel and unusual punishment has been repealed, or is interpreted very narrowly, or is just ignored by the author.
15. White protagonist is given wise and mystical advice by Holy Simple Native Folk.
16. A party of D&D characters (usually including a fighter, a magic-user, and a thief, one of whom is an elf and one a dwarf) enters a dungeon (or the wilderness, or a town, or a tavern) and fights monsters (usually including orcs).
    1. A group of real-world humans who like roleplaying find themselves transported to D&D world.
17. An alien observes and comments on the peculiar habits of humans, for allegedly comic effect.
    1. The alien is fluent in English and completely familiar with various English idioms, but is completely unfamiliar with human biology and/or with such concepts as sex or violence.
    2. The alien takes everything literally.
18. Space travel is wonderful and will solve all our problems. (We may agree that space travel is pretty cool, but we'd rather that weren't the whole point of the story.)
19. Man has an awful, shrewish wife; in the end he gets revenge on her, by (for example) killing her or leaving her.

That's a lot of stock writing. Though a few of these seem too generic to condemn straight off as stock, I can imagine myself tearing my hair out over the nteenth story about D&D characters named something like Bolar Ironbowels or something tearing bodyparts and loot out of an orc. However, I would be glad to see someone like Farthana the Pregnant Cow (apologies to Gaurav and Annie) wandering around...

Peanuts and Lovecraft?

Where on earth did someone think this up? Pretty fun combination, if you like your Peanuts laced with H P Lovecraft.

Bollywood SWAT

http://www.somethingawful.com/articles.php?a=2974A bunch of Americans sitting around commenting on Bollywood and Lollywood (Lahore!) movie posters. The posters are incredible. The comments are moderately funny, but I can see something like them coming out of a conversation with a few of my more mentally traumatised friends. Must visit, at least for the posters. I want a poster of the lion killer guy framed in my bathroom. Anyone know where I can get one?

Random Overheards.

Overheard at a coffeetable conversation:

 

"Of course you need prostitution, yaar. Its very important to have them. Otherwise, imagine what other men would to to all our wives and sisters..."

 

Have I misplaced the irony again?

By the way, I flicked this concept from the website/blog http://www.overheardinnewyork.com . Definitely worth a random visit. Dont expect profound revelations, but be pleasantly surprised when you come across a few.

Dead Rags and Dust

This was on my dreamscapes blog but i just revisited it and I dont think the poem was so bad, so here it goes again:

 

Something stirred him as he stared,

something quiet, something scared

turned his head but failed to look

or did he?

 

From office cramped to office dusty

Aboard the sturdy not quite rusty

Jeep

 

He smoked, and stared into the sky

Barely nothing caught his eye

But barely nothing's something still

Dead rags and dust

 

A hint of elbow, a hint of shirt

A hint of brown skinned, shambling dirt

and no fingers

 

A hint of hatred, hint of pain

Hints of anguish, hints of shame

Hints of bruises, cuts and sores

Hint of sweat from tired pores

Blood and sweat and hatred hinted

He never saw, he merely squinted

At mounted lingerie

 

To fail to see is quite a task

How do you do it? One might ask

Think of British Comedy

 

Existentialism

 

Bertolt Brecht

 

Conquistadors

 

Large Breasted women

 

computer games

 

post-modernism

 

Beer

 

Anarchy

 

Anime

 

Deadlines

 

Maya

 

Comics

 

Salman Rushdie

 

Wait.

 

The mind it is the queerest thing

A bell once pulled forever rings

And strange detectives dig the earth

Uncovering skeletons spouting dirt

From the subconscious

 

From a book where once he had escaped

To hide from taunting kids who taped

the memories of childhood tears

and taunts and insults, calls and jeers

A book where shambling cudgel knees

Crunched at skulls, and of a man who sees

India and Indira in a strange double-vision

 

A word reached out, to drag him back

To the traffic, where commuters hacked

their lungs out, and the smog-filled sky

played strange games with the sun

 

And squinting worked upto a point

but city eyes can only blind

He who has learned, with his mind

To dull the screams, the blood, the tears

To separate models with big bustiers

from dead rags and dust